The best way to introduce you to Tod Bolsinger’s new book is through a couple of quotations that wowed me:
A teachable learning mindset leads to a greater capacity for staying in a difficult position, taking on a particularly difficult task or standing up to resistance, because there is an inherent assurance that if all else fails this trial will—if nothing else—lead to further growth.
This sobering word, too:
A major difficulty in sustaining one’s mission is that others who start out with the same enthusiasm will come to lose their nerve. Mutiny and sabotage came not from enemies who opposed the initial idea, but rather from colleagues whose will was sapped by unexpected hardships along the way.
And this, which I shared with our church’s leadership and several other pastors I know:
One of the genuine crises of Christian leadership today is how inward focused it is. A movement founded on the salvation and transformation of the world often becomes consumed with helping a congregation, an organization, or educational institution survive, stay together, or deal with rampant anxiety (often all at the same time). It’s not enough to turn around a declining church, resolve conflict, restore a sense of community, regain a business’s market share, return an organization to sustainability, or even “save the company.” The question before any leader of an organization is “save the company for what?”
Bolsinger’s guiding metaphor is from blacksmithing: “To temper describes the process of heating, holding, hammering, cooling, and reheating that adds stress to raw iron until it becomes a glistening knife blade or chisel tip.” Others may find his drawing on the blacksmithing process more compelling than I did. I would have gladly taken Bolsinger’s wisdom straight up, sans analogy. (As in the quotes above.)
If you thought being sabatoged was unique to you? Par for the course, apparently. Bolsinger doesn’t deny the reality of church dysfunction; he seems to assume it. But then he equips the reader with how to lead resiliently in the face of adversity–even adversity coming from within. (“The call is coming from inside the house.”)
Bolsinger describes a “six-step process”:
1. Working: Leaders are formed in leading. 2. Heating; Strength is forged in self-reflection. 3. Holding: Vulnerable leadership requires relational security. 4. Hammering: Stress makes a leader. 5. Hewing: Resilience takes practice. 6. Tempering: Resilience comes through a rhythm of leading and not leading.
Despite a few dry moments or chapters that I thought could have been edited down, Tempered Resilience is an encouraging and empowering read. It’s offered me great encouragement these last few months, as well as given me a framework and tools to better understand the “crucible” of church leadership.
Tempered Resilience is availablehere (IVP) and here (Amazon/affiliate link).
Thanks to the good folks at IVP for the review copy, via NetGalley, sent without expectations of the content of my review.
Bruce Waltke’s Commentary on Micah is on sale for $12.90 in Accordance for a while longer. Even at its list price of $27.90, it’s a bargain.
It’s been a while since I used it in depth, but whenever I have plunged its depth, I’ve been astounded at Waltke’s attention to detail, analysis of the text, and careful treatment of the grammar (and so much more). He has other Micah volumes available, even: Tyndale and McComiskey. But this stand-alone volume is the one it seems he really wanted to write, the volume that was far too long for inclusion in any series. He says in the preface that he treated each pericope as if it were a doctoral dissertation.
When I wrote a lengthy exegesis paper on a Micah passage in seminary, this commentary was close at hand. I used the library copy extensively, then bought myself a hard copy afterwards to celebrate. (I do love the smell of Eerdmans books.) When it became available in Accordance, I quickly made it one of a handful of double purchases, where I get a book in print and Accordance, so that I could access it electronically, as well.
No kickback for me on this post… just one of the best commentaries I’ve ever used for in-depth, original language work (especially text criticism), so wanting to give it its due.
I’ve loved this prayer of Thomas Merton’s since I visited Abbey of Gethsemani as a teenager:
My Lord God, I have no idea where I am going.
I do not see the road ahead of me.
I cannot know for certain where it will end.
Nor do I really know myself, and the fact that I think that I am following your will does not mean that I am actually doing so.
But I believe that the desire to please you does in fact please you.
And I hope I have that desire in all that I am doing.
I hope that I will never do anything apart from that desire.
And I know that if I do this you will lead me by the right road though I may know nothing about it.
Therefore will I trust you always though I may seem to be lost and in the shadow of death.
I will not fear, for you are ever with me, and you will never leave me to face my perils alone.
I preached through Jonah in Advent 2014. It remains one of my favorite series to prepare and preach–unlikely liturgical pairing notwithstanding.
In those days, I read as many Jonah commentaries as I could get my hands on. Kevin J. Youngblood’s rose to the top. Then it was part of a series called Hearing the Message of Scripture. Now it has been released in its second edition, with the series name being changed to the less exciting Zondervan Exegetical Commentary on the Old Testament, to bring OT volumes in line with the NT volumes of the same overall series.
Zondervan was gracious to send me a review copy of the Second Edition.
The changes are minor, and they are really only three:
The re-branded series name
Transliterated Hebrew is replaced with actual Hebrew text (yay!)
The author’s translation and visual layout of the text includes the original Hebrw text now, too
Here, for example, is how that text layout section has changed (the new edition is the one on the bottom):
Otherwise, the text is identical to the first edition. (Even the Bibliography has not been updated, from what I can see.) So if you own the first edition, there’s no need to also get the second. But if you don’t own this commentary, by all means, check it out from a library or purchase it. Even if you don’t know Hebrew, this is an excellent guide to a beautiful and challenging biblical book.
For my full review of the first edition (which all applies to the second edition), see here.
Closer has always been one of my favorite songs by matt pond PA. So I was pumped when it was the first-released single on their new album, A Collection Of Bees Part 1, 12 tracks of rarities, demos, and a re-recording. It’s impossible to improve on the 2002 version of Closer, with the strings from Rachel’s, but the just-released demo is great, too. It took me right back to my Chicago suburbs 2003 existence where I first heard it.
It’s the strongest track on the new album, but the whole thing is great listening.
I lost track of mpPA after their 2007 Last Light. That album didn’t hit me the way The Green Fury and The Nature of Maps (both released in 2002) did. It didn’t feel as cohesive as Emblems (2004) or Several Arrows Later (2005), although all four of these albums are hard to top. I got back into mpPA again withThe Lives Inside the Lines in Your Hand (2013, released by just “Matt Pond”). And I just bought Last Light at a used CD store the other day! I like it now more than I first did.
I reminisce because A Collection Of Bees Part 1 is a perfect opportunity to re-visit the band’s discography. The album spans quite a few records. I haven’t seen this anywhere yet, so here’s the track listing, followed by where (as best as I can tell) one would have first heard that track, or a version of it:
1. Starlet (Acoustic), The Lives Inside the Lines in Your Hand (2013)
2. Stopping, Threeep (2010)
3. Blue Fawn (First Light Demo), called “First Light” on Auri Sacra Fames (2008)
4. Love To Get Used (Demo), The Lives Inside the Lines in Your Hand (2013)
5. Wild Heart, Fleetwood Mac cover
6. First Fawn (Brooklyn Fawn Demo), called “Brooklyn Fawn” on The Dark Leaves (2010)
7. Lily 3 (Acoustic), bonus track from The Lives Inside the Lines in Your Hand (2013)
8. Remember Me, Threeep (2010)
9. Closer (Demo), The Nature of Maps (2002)
10 .The Colour Out of Space, Threeep (2010)
11. Round and Round, Free the Fawns (2016, obscure release!), maybe somewhere else, too?
12. The Wrong Man, Threeep (2010)
Even tracking down where these songs come from, I realize how much music this band has put out over the years! It’s awesome to revisit it all because of this new album, which itself holds together quite nicely.
You can hear the album here, and visit mpPA’s site here. I hope there is more where this came from.
Thanks to the powers-that-be for the advance release download of this fine album, so I could write a review.