My Friend James: New Record Coming

James Harris Moore 1

 

My friend James Harris Moore is making a record, and it’s going to be awesome. He is a longtime friend and stellar musician and songwriter. I gave him a guitar lesson or two way back in the day, though shortly thereafter he eclipsed my ability both as a guitarist and writer. I’ve had the privilege of recording and playing with him a few times over the years.

Here is the Kickstarter page he’s using to fund the recording. He’s very close to his goal, but there are a few days left to get a pre-order in via a pledge.

Here’s a track, so you can get a taste of the goodness that will soon be ours to enjoy:

 

 

Read more about the album and order a copy for yourself here.

 

A Short Review of Bill Mallonee’s “Winnowing”

This review of a Bill Mallonee record transcends the genre of music review. Beautiful, compelling, moving. A more than fitting piece for my first time pushing that little “Reblog” button that WordPress offers.

kellydeanjolley's avatarQuantum Est In Rebus Inane

…[T]he apt analogy of the declining year, with declining happiness, and the images of youth and hope, and spring, all gone together… Jane Austen, Persuasion

I have been listening to Bill Mallonee for a long time. He is one of the most challenging and rewarding songwriters alive. He has crafted song after song, each representing some portion of his steady, integrated-and-integrating vision of things. That vision is complicated, prismatic; it has been salted with fire over years, burning away everything self-indulgent or unrealizable in it. What remains now is a vision that demands comparison with the visions of great religious and literary work: the Wisdom books of the Old Testament, and James of the New; the essays of Montaigne; Samuel Johnson’s “The Vanity of Human Wishes” and Rasselas; Eliot’s Four Quartets. Mallonee’s themes are best captured by phrases borrowed from Johnson: the hunger of the imagination…

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Mineral Live in Boston: Set List and Photos

Mineral in Boston

 

It’s fitting that I drove the family minivan into Boston last night with a friend to see Mineral in concert. When I first listened to them in the mid-90s, I was driving a minivan, too.

What an outstanding show. Though they’re 20 years older than when they co-invented the emo rock scene, they still rocked out and drew listeners in to an experience of spiritual transcendence.

Here is the set list, with the few lyric snippets or reactions I tapped into my phone during the set:

 

1. Lovelettertypewriter

2. Palisade

(The above being tracks 1 and 2 from their second album, back-to-back)

3. Slower

“I’d really rather lay here and pretend…”

4. Unfinished

5. February

6. A Letter

7. Five, Eight, and Then

“The humble and righteous and meek
Are teaching me whose will to seek
But who really knows how to speak
About these things”

8. Gloria

One of the most awesome songs in the set.

9. For Ivadell

They had a little trouble playing this, but it was still great.

10. Sounds Like Sunday

11. If I Could

Wow.

12. &Serenading

Best song in the whole set.

“When I was a boy I saw things
That no one else could see
So why am I so blind at twenty-two
To the hope that is all around me
Filling up this room?”

 

ENCORE

13. Waking to Winter

“When I’m driving home at night….”

14. M.D.

15. Parking Lot

“And everything is grace.”

 

And here’s the man, Christopher Simpson:

 

Christopher Simpson

RIP, Sony Bluetooth Wireless Speaker: Splash-Proof, but Not Highway-Proof….

 

side and input
R.I.P.

Remember the Sony Bluetooth Speaker I reviewed? Want to hear a funny story about it?

After using the speakers for a Sunday morning class, I put them on top of our family van as I was strapping in one of the kids. I got my almost-two-year-old daughter strapped in, we were all happy, the kids had done great in church, and we were going out to eat–a rare treat on a Sunday afternoon. The sun was even shining.

So with everyone strapped in and on our way to family lunch, about 10 minutes into our drive–when we were on the highway, of course–I heard a loud thud at the top of the car and saw in my peripheral vision a blur of pink and purple bouncing around behind me as I sped away.

WHAT WAS THAT?

Oh. The speakers. That I had left on top of the van.

I had received the speakers gratis as a review sample, but I had become fond of them. They were quite convenient for toting around and using in various settings. It was especially nice to amplify music without any wires.

I quickly decided that, yes, I did want to go back to get these speakers. But being on the highway, I would have to exit, get on the highway going the other direction, exit again, and go back the way I came.

By the time we neared the spot of the incident, it had been about 8 minutes. Surely some car–or multiple cars–had by now demolished my precious pink-and-purple players of Passion Pit, Pavement, and Petra.

But, no.

THEY WERE STILL THERE.

I slowed down and turned on my hazards to get off to the shoulder to (carefully, only when there were no cars) walk into the highway to retrieve my speakers.

They were right there, miraculously between the two lanes. A hundred cars must have passed them, leaving them mercifully in tact.

As I pulled over and slowed to a stop, the car behind me obliviously moved across the lane divider to pass me and…

Yep.

RAN OVER MY SPEAKERS.

Well, not just ran over. CRUSHED them.

They broke into a hundred pieces, and the car just cruised on by.

How to Teach a New Worship Song to a Congregation

The below is a re-post from September 2012. I’m posting it again because it strikes me that summer could be a good time to try something new in your church services, including learning new songs together. Here are some suggestions for teaching a new worship song to a congregation or other group of people.

This morning I had the privilege of teaching our worshiping community this song:

Because I had guessed it would be new to the majority of our congregation, I decided to teach the song before we sang it all the way through. There are at least six things I like to try to do when teaching a new song:

1. Split it into pieces. I had the chorus for All the Earth Will Sing Your Praises on two Powerpoint slides. So I sang through the first half of the chorus (one PPT slide), stopped, and invited the congregation to sing that same part with me:

Then I repeated that same process for the second half of the chorus:

This way the congregation had heard the chorus once and sung it once.

2. Teach it not in order. This helps me and hopefully others remember that we’re actually working on learning the song. It also keeps us attentive to what part of the song we’re working on. We’ll piece it all together only once we’ve learned the component parts.

3. Highlight the lyrical content. If the tune is new, the lyrics likely are, too. At least they were in this case. So because this song speaks of Christ’s death, resurrection, and ascension, I took the opportunity to highlight that. I actually read some of the song lyrics before teaching it, and connected them to something my church says in our weekly worship: “Christ has died, Christ is risen, Christ will come again.” I mentioned that like 1 Corinthians 15 and Luke 24, this is one of the great summaries of our faith that can unite us across multiple denominations and Christian backgrounds.

4. Teach it with a conversational tone. I can’t think of any other way to teach a song than by actually talking with the congregation about it, what we’re doing, what we’re about to do, etc. I find a friendly, inviting, conversational tone works best. At least it feels right to me when I am teaching a song!

5. Affirm the congregation. Our worshiping community picked this song up so fast today (some knew it already, I think) that this was easy to do. I actually cut short the process of teaching the song so that we could begin from the beginning singing it all the way through. This was due to the fact that as I began teaching the verse (i.e., “I’ll sing so you can hear it”), I could already hear folks singing along. It would certainly not be out of place to sincerely say something like, “You all are good singers!” (Provided it’s true.)

6. Have them hear the song even before I teach it. For example, I had All the Earth will Sing Your Praises played over the speakers as they were leaving worship Monday, knowing we’d be learning it today (Wednesday). It’s a little thing, but it helps. Other options could have been playing it as the prelude today, emailing everyone a Web link to the tune, etc.

The bottom line for me is: if we’re doing a song that I think will be new to most in the room, we highlight it as such and carve out time to work to learn it together. Then singing the new song from start to finish is not only easier, but feels like something we have worked at together in a way that draws us closer as we worship.

O Lord or Oh, Lord?

CommaWhen I was a college worship director for a couple of years, I put together and helped edit a lot of lyrics on PowerPoint. One recurring question I had was: Is it O Lord or Oh, Lord?

By default I found myself using the first, though I was never really sure why (I thought it looked better).

According to this articleO Lord is correct, when addressing a petition, prayer, or other saying to God.

One thing I’m still stuck on, though–if is proper for use with vocatives, why is there not also a comma after it?

What I’m Listening To Right Now: Tycho

Tycho Awake

There are about five albums I’m listening to on heavy rotation right now, but over the last month, one go-to has been the new album by Tycho, called Awake. Check out their single, Montana, here:

I believe the technical title that has been given to this kind of music is chillwave. And it is some pretty chill electronica. This album has more live instruments (and drums) than the last one. It’s well worth a listen or two, and especially great for when I need to concentrate and work on something by myself.

Tycho’s site is here. You can also find them on Spotify, Amazon, iTunes, etc.–all the usual places.

How Great Thou Art (Guitar Chord Charts for Hymns)

Hymnal

Last Wednesday I posted a chord chart for Praise to the Lord, the Almighty. Here (pdf) is a chord chart I have used for the classic hymn, How Great Thou Art. It’s quite simple–just three chords throughout. More chords could be added, so the chart could also serve as a jumping off point.

Praise to the Lord, the Almighty (Guitar Chord Charts for Hymns)

Hymnal

Praise to the Lord, the Almighty has always been one of my favorite hymns. Here (pdf) is a chord chart I put together for the hymn, in case you’ve been Googling “Praise to the Lord, the Almighty guitar chord charts” and haven’t found anything yet. Not all hymnals have chords, so hopefully this can be of help to some worship leaders.

Review of Sony SRS-BTS50 Bluetooth Wireless Speaker

Sony has just released its SRS-BTS50 bluetooth wireless speaker. Here’s what it looks like in the box (with other colors available):

in the box

Here’s what’s in the box:

box components

Setup, Appearance, and Portability (Two Thumbs Up)

Setup was easy, both with my iPad mini and a Mac laptop. Once you link a bluetooth-enabled device to the speaker, the speaker remembers it. You can link multiple devices to it without Continue reading “Review of Sony SRS-BTS50 Bluetooth Wireless Speaker”