
Psalms of Lament is a heartbreakingly beautiful collection of poetry. Weems alarmingly yet assuringly gets right down to business in her Preface:
This book is not for everyone. It is for those who weep and for those who weep with those who weep. It is for those whose souls struggle with the dailiness of faithkeeping in the midst of life’s assaults and obscenities. This book is for those who are living with scalding tears running down their cheeks.
Her Psalms are for those whose experiences are “painful, too painful for any of us to try fitting our souls into ten correct steps of grieving.” They come from experience: Weems unexpectedly lost her son (“the stars fell from my sky”) just after his 21st birthday.
Drawing on the great biblical lament tradition, Weems writes lament psalms of her own. David’s familiar structure of
“How can you leave me like this, God?”–>”Yet I will trust you”
is on display throughout the collection. As personal as Weems’s psalms are, like David’s and Jeremiah’s laments, they are universal and could be prayed by anyone who is lamenting.
If you read with an open heart, Weems’s laments can evoke tears at nearly every line. And it’s a profound Godward lament in which she engages: “Anger and alleluias careen around within me, sometimes colliding.” There’s no bitterness here, but neither is there a naïve attempt to placate reality (as if we could!) with boring pseudo-truths like, “Everything happens for a reason,” or, “God took her away because he needed her for his heavenly choir.” Here is Lament Psalm Twelve, one of the starker and more personal psalms, in its entirety:
O God, what am I going to do?
He’s gone–and I’m left
with an empty pit in my life.
I can’t think.
I can’t work.
I can’t eat.
I can’t talk.
I can’t see anyone.
I can’t leave my house.
Nothing makes any sense.
Nothing seems worth doing.
How could you have allowed this to happen?
I thought you protected your own!
You are the power:
Why didn’t you use it?
You are the glory,
but there was no glory in his death.
You are justice and mercy,
yet there was no justice, no mercy for him.
In his death there is no justice for me.
O God, what am I going to do?
I’m begging you to help me.
At least you could be merciful.
O God, I don’t remember a time
when you were not my God.
Turn back to me;
you promised.
Be merciful to me;
you promised.
Heal me;
you promised.
My heart is broken.
My mind is broken.
My body is broken.
Nothing works anymore.
Unless you help me
nothing will ever work again.
O Holy One, I am confident
that you will save me.
You are the one
who heals the brokenhearted
and binds their wounds.
You are the power
and the glory;
you are the justice
and mercy.
You are my God forever.
The six “I can’t” statements (“I can’t think. I can’t work. I can’t eat. I can’t talk. I can’t see anyone. I can’t leave my house.) evoke the monotony and hopelessness that the grieving one feels. Yet three times: you promised… you promised… you promised. Given the way the poem begins, the last stanza seems almost out of place. But it’s a move David made (forced himself to make) in his Psalms.
I only wonder if those who grieve will be ready to pray along to the end of each psalm with Weems, as her laments so often end with an affirmation of God’s promises. For those whose grief is acute, fresh, and numbing, such prayers may at the moment be impossible.
Yet Weems gives us language for when we need it most, for when words of any kind are impossible. A person in the throes of grief not yet be able to say, “Alleluias spin in my heart!” But she or he may want to be able to make such affirmations, if not now, then eventually. Weems offers wording for the griever to attempt that journey. In so doing she provides a pattern for lament that is true to the biblical tradition, true to life.
Psalms of Lament is a gift to the Church and to those who grieve. Pastors, campus ministers, youth ministers, and worship leaders would all do well to have copies on hand. While Weems seems to have composed her laments with the individual in view, I’m intrigued by the possibility of reading and praying these psalms in corporate worship settings. A funeral or a Sunday after a tragedy would be particularly appropriate times. Yet if we consider, as Weems notes, the possibility of weeping with those who weep, those who pray would do well not to wait until a tragedy to employ these psalms.
Weems’s prayers floored me. I had turned to her before. As I read her again I never made it very far without choking back tears. (In my better moments, I gave up on trying to choke them back.) The tears Weems evokes, though, are not just tears of sadness, but tears of hope in the God who “will put the stars back in the sky.”
Thanks to Westminster John Knox Press for the review copy. I am confident I’ll want to pick up additional copies of Psalms of Lament for others. You can preview a good deal of the book at Google Books here.
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